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Bach Bibliography Search Result |
Series : ^HarvardPubM$Your search has generated the following results ...
Max number of results shown : 300
Output sorted : alphabetically (table)
| Type | List | Author | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Blackbourn, David | The German Eighteenth Century: Marking Time. | HarvardPubM | 22 | 3-15 | |||
| | 2. | Butt, John | Bach's Passions and the Textures of Time. | HarvardPubM | 22 | 111-120 | |||
| | 3. | Chafe, Eric T. | Bach and Hypocrisy: Appearance and truth in Cantatas 136 and 179. | HarvardPubM | 22 | 121-143 | |||
| | 4. | Christensen, Thomas | Fundamenta Partiturae: Thorough Bass and Foundations of Eighteenth-Century Composition Pedagogy. | HarvardPubM | 22 | 17-40 | |||
| | 5. | Danuser, Hermann | Mishmash or Synthesis? On the Psychagogic Form of The Creation. | HarvardPubM | 22 | 41-78 | |||
| | 6. | Durante, Sergio | Tartini and his Texts. | HarvardPubM | 22 | 145-186 | |||
 | 7. | Hill, Robert (ed.) | Keyboard Music from the Andreas Bach Book and the Möller Manuscript. | HarvardPubM | 16 | xlvii, 210p | |||
| | 8. | Hogwood, Christopher | The Clavier Speaks. | HarvardPubM | 22 | 345-370 | |||
 | 9. | Kelly, Thomas Forrest; Gallagher, Sean (eds.) | The Century of Bach and Mozart: Perspectives on Historiography, Composition, Theory and Performance. In Honor of Christoph Wolff. | HarvardPubM | 22 | xii, 427p | |||
| | 10. | Konrad, Ulrich | On Ancient Languages: The Historical Idiom in the Music of Wolfgang Amadé Mozart. | HarvardPubM | 22 | 253-278 | |||
| | 11. | Koopman, Ton | Ten Years of Bach Cantatas. | HarvardPubM | 22 | 371-377 | |||
| | 12. | Levin, Robert D. | Mozart's Working Methods in the Keyboard Concertos. | HarvardPubM | 22 | 379-406 | |||
| | 13. | Melamed, Daniel R. | The Evolution of 'Und wenn die Welt voll Teufel wär' BWV 80/5. | HarvardPubM | 22 | 189-205 | |||
| | 14. | Schulze, Hans-Joachim | Bach and Mozart: From the Perspective of Different Documentary Evidence. | HarvardPubM | 22 | 207-216 | |||
| | 15. | Sisman, Elaine | Six of One: The Opus Concept in the Eighteenth Century. | HarvardPubM | 22 | 79-107 | |||
| | 16. | Strohm, Reinhard | Eighteenth-Century Music as a Socio-Political Metaphor? | HarvardPubM | 22 | 279-296 | |||
| | 17. | Webster, James | The Century of Handel and Haydn. | HarvardPubM | 22 | 297-315 | |||
| | 18. | Wheelock, Gretchen A. | Mozart's Fantasy, Haydn's Caprice: What's in a Name? | HarvardPubM | 22 | 317-341 | |||
| | 19. | Wollny, Peter | On Johann Sebastian Bach's Creative Process: Observations from His Drafts and Sketches. | HarvardPubM | 22 | 217-238 | |||
| | 20. | Zaslaw, Neal | One More Time: Mozart and his Cadenzas. | HarvardPubM | 22 | 239-249 |